Monday, November 7, 2011

Desperado (Special Edition)

  • TESTED
In this continuation of "El Mariachi," a traveling musician looking for work gets mistaken for a hitman and is thereby entangled in a web of love, corruption, and death. This leads to a very high body count, involvement with a beautiful woman who works for the local drug lord, and finally, the inevitable face-to-face confrontation and bloody showdown. Stars Antonio Banderas and Salma Hayek. Deluxe Edition packed with special features! Featurette: "Sneak Peak: Once Upon A Time in Mexico. Featurette: "10 More Minutes: Anatomy of a Shootout." Audio Commentary with Director Robert Rodriguez.It's Sergio Leone meets Sam Peckinpah meets Quentin Tarantino in this ultraviolent, mythological shoot-'em-up by auteur Robert Rodriguez. In Desperado, Rodriguez creates larger-than-life, genre-tweaking stock characters and puts them through their paces. As they stride bravely through an Old West! lightly dusted with camp humor, they're periodically called upon to nimbly dodge bullets and fireballs through outrageously choreographed displays of Hollywood pyrotechnics. In this bigger-budget semi-remake/semi-sequel to Rodriguez's indie sensation, El Mariachi (made, famously, for $7,000), Antonio Banderas is the darkly charismatic El Mariachi, the Mysterious Stranger in town; Steve Buscemi is perfectly cast as his weasely, motor-mouth Comic Sidekick, laying the groundwork for El Mariachi's entrance by spinning saloon stories to build up his legend; Cheech Marin is a standout as the Bartender, who really knows how to handle a toothpick; and gorgeous Salma Hayek is, well, the Girl--treated to the kind of full-blown, slow-mo introduction the movies traditionally lavish on beautiful new stars. It doesn't add up to much, but it's a kick. Be careful not to blow out your speakers with the DVD's Dolby Digital 5.1 soundtrack. --Jim Emerson

Uncertainty

  • UNCERTAINTY (DVD MOVIE)
Loud music. Pornography. Lighting fires. These are a few of Hesher’s favorite things. And they are what Hesher (Joseph Gordon-Levitt) brings into the lives of TJ (Devin Brochu) and his father Paul (Rainn Wilson) when he takes up residence in the garage uninvited. Grief stricken by the loss of TJ’s mother, Paul can’t muster the strength to evict the strange squatter and soon the long-haired, ta ttooed Hesher becomes a fixture in the household. Like a force of nature, Hesher’s anarchy shakes the family out of their grief and helps them embrace life once more.As the title character in Hesher, Joseph Gordon-Levitt wears a grungy fright wig and anarchic death-metal attitude to match. He's worlds away from the suave, immaculately groomed covert operative he played in Inception. But what's consistent in both performances and the thing that gives the übe! r-indie and perhaps overly nihilistic Hesher its punch is Gordon-Levitt's sleek, leonine physicality. Hesher is a mysterious, violent, rude, yet affectingly empathetic drifter who appears in the life of 13-year-old T.J., his depressed father, and ailing grandmother, all of whom are grieving the recent death of the boy's mother. Hesher drives a beat-up black van and sleeps in vacant houses (until he moves uninvited into T.J.'s garage), popping in and out of the action at random and seemingly just to bring more chaos into the life of T.J. and his family. Whether Hesher is what the family needs to unscrew itself from the funk of extreme dysfunction caused by their communal tragedy is something first-time writer-director Spencer Susser tries hard to work out, and not always with complete success. It's a tough and very messy narrative that runs dangerously close to mawkishness, but for the vicious outbursts of brutality, aggression, and deep-seated emotional pain lying ju! st beneath everyone's surface. Hesher is the catalyst, and for! tunately Gordon-Levitt's physical grace is extraordinarily compelling as he pushes and punishes his lithe body in complete commitment to the role. This is a severely damaged soul who's probably beyond redemption himself, but understands that he still has something to give that might be of aid to someone else. As the primary beneficiary of the salvation on offer, Devin Brochu is an impressive little brother-like match as T.J., even as he's constantly exposed to the physical danger that's a by-product of being in proximity to Hesher (kudos to the tiny stunt double who gets tossed around like a rag doll). The rest of the cast do their best to keep up with the bedlam. Rainn Wilson is stretching some little-used actorly muscles as the near-catatonic dad for whom something must change, and Natalie Portman looking positively frumpy as a down-and-out ragamuffin who crosses paths with both T.J. and Hesher seems also to be trying to put a shine on her indie cred. Piper Laurie's turn as the ob! ese, uncomprehending grandmother is a poignant peak in her long career and a character that's integral to the changes everyone else experiences, most especially Hesher himself. --Ted FryLoud music. Pornography. Lighting fires. These are a few of Hesher’s favorite things. And they are what Hesher (Joseph Gordon-Levitt) brings into the lives of TJ (Devin Brochu) and his father Paul (Rainn Wilson) when he takes up residence in the garage uninvited. Grief stricken by the loss of TJ’s mother, Paul can’t muster the strength to evict the strange squatter and soon the long-haired, tattooed Hesher becomes a fixture in the household. Like a force of nature, Hesher’s anarchy shakes the family out of their grief and helps them embrace life once more.As the title character in Hesher, Joseph Gordon-Levitt wears a grungy fright wig and anarchic death-metal attitude to match. He's worlds away from the suave, ! immaculately groomed covert operative he played in Inceptio! n. B ut what's consistent in both performances and the thing that gives the über-indie and perhaps overly nihilistic Hesher its punch is Gordon-Levitt's sleek, leonine physicality. Hesher is a mysterious, violent, rude, yet affectingly empathetic drifter who appears in the life of 13-year-old T.J., his depressed father, and ailing grandmother, all of whom are grieving the recent death of the boy's mother. Hesher drives a beat-up black van and sleeps in vacant houses (until he moves uninvited into T.J.'s garage), popping in and out of the action at random and seemingly just to bring more chaos into the life of T.J. and his family. Whether Hesher is what the family needs to unscrew itself from the funk of extreme dysfunction caused by their communal tragedy is something first-time writer-director Spencer Susser tries hard to work out, and not always with complete success. It's a tough and very messy narrative that runs dangerously close to mawkishness, but for the vicious o! utbursts of brutality, aggression, and deep-seated emotional pain lying just beneath everyone's surface. Hesher is the catalyst, and fortunately Gordon-Levitt's physical grace is extraordinarily compelling as he pushes and punishes his lithe body in complete commitment to the role. This is a severely damaged soul who's probably beyond redemption himself, but understands that he still has something to give that might be of aid to someone else. As the primary beneficiary of the salvation on offer, Devin Brochu is an impressive little brother-like match as T.J., even as he's constantly exposed to the physical danger that's a by-product of being in proximity to Hesher (kudos to the tiny stunt double who gets tossed around like a rag doll). The rest of the cast do their best to keep up with the bedlam. Rainn Wilson is stretching some little-used actorly muscles as the near-catatonic dad for whom something must change, and Natalie Portman looking positively frumpy as a down-and-o! ut ragamuffin who crosses paths with both T.J. and Hesher seem! s also t o be trying to put a shine on her indie cred. Piper Laurie's turn as the obese, uncomprehending grandmother is a poignant peak in her long career and a character that's integral to the changes everyone else experiences, most especially Hesher himself. --Ted FryThe Choice is Theirs

Every choice has a consequence. But what if the flip of a coin could trigger two separate but parallel destinies? Joseph Gordon-Levitt (500 DAYS OF SUMMER) and Lynn Collins (WOLVERINE) star as Bobby and Kate, a young New York couple at a crossroads whose lives are about to take very different heads/tails directions: A visit to Brooklyn leads them to gentle discoveries about family, loss and each other, while a day in Manhattan plunges them into an urban nightmare of pursuit, suspense and murder. Olivia Thirlby (JUNO) co-stars in this uniquely powerful thriller written, produced and directed by Scott McGehee and David Siegel, the award-winning filmmakers behind SUTURE, BEE SEASON and T! HE DEEP END.

Ek Success Martha Stewart Glitter Multi Pack, 24 Per Pack

  • Add sparkle to any project
  • Includes twenty-four 0.37-ounce vials of different colored glitters and comes in a re-usable plastic case with handle
  • Case measures 7-3/4 by 8 by 1-inch
These fine glitters in twenty-four vivid colors will add sparkle to any project. This package contains twenty-four 0.37-ounce vials of different colored glitters and comes in a re-usable plastic case with handle. Case measures 7-3/4 by 8 by 1-inch. Imported.

Happiness Runs Early Elementary/Level 1 Piano Duet

  • Published by Faber Piano Adventures 6 Pages
  • Piano Level Early Elementary/Level 1
  • Arranger: Nancy Faber
A coming-of-age tale, that finds a young man, Victor (Mark L. Young), growing up on a Utopian commune faced with the challenge to either submit to his community's ideals or to escape. Victor's mother (Andie MacDowell) funds the collective where guru Insley (Rutger Hauer) lectures a lifestyle of free love and out-of-body meditations. Spurred by the sudden reappearance of his childhood love Becky (Hanna Hall), Victor creates a desperate plot to save them both and escape the polygamous cult. One part WOODSTOCK, one part LORD OF THE FLIES, director Adam Sherman's semi-autobiographical film, HAPPINESS RUNS, is a cautionary tale about freeing yourself of social constrictions.
It’s 2008. Jim Axelrodâ€"once among the most watched correspondents on network news and the! first television reporter to broadcast from Saddam International Airport in 2003â€"is covering the final stages of the race for the Democratic presidential nomination. He’s forty-five years old and thirty pounds overweight. He’s drinking too much, sleeping too little, and scarcely seeing his family. He’s just figured out that the industry that pulled him up the corporate ladder is imploding as he’s reaching for its final rungs. Then, out of the blue, Jim discovers his late father’s decades-old New York Marathon finish times. At forty-six, Bob Axelrod ran a 3:29:58. With everything else going on in his life, Jim sets himself a defining challenge: “Can I beat him?”
 
So begins a deeply felt, often hilarious, quixotic effort to run the 2009 New York Marathon. Along the way, Jim confronts his listing marriage, a career upset by the seismic changes going on throughout the television news industry, excruciatingly painful shin splints, and the w! orst-timed kidney stone possible. Looming over it all is the s! hadow of a loving father, who repeatedly lost his way in life but still has a lesson to impart.
 
This is a book about a dead father’s challenge to a son at a crossroads, but, more than that, it is about the personal costs paid when ambition and talent are not enough to ensure success. Most fundamentally, though, it is a book about learning what it takes to be happy in your own skin.
It’s 2008. Jim Axelrodâ€"once among the most watched correspondents on network news and the first television reporter to broadcast from Saddam International Airport in 2003â€"is covering the final stages of the race for the Democratic presidential nomination. He’s forty-five years old and thirty pounds overweight. He’s drinking too much, sleeping too little, and scarcely seeing his family. He’s just figured out that the industry that pulled him up the corporate ladder is imploding as he’s reaching for its final rungs. Then, out of the blue! , Jim discovers his late father’s decades-old New York Marathon finish times. At forty-six, Bob Axelrod ran a 3:29:58. With everything else going on in his life, Jim sets himself a defining challenge: “Can I beat him?”
 
So begins a deeply felt, often hilarious, quixotic effort to run the 2009 New York Marathon. Along the way, Jim confronts his listing marriage, a career upset by the seismic changes going on throughout the television news industry, excruciatingly painful shin splints, and the worst-timed kidney stone possible. Looming over it all is the shadow of a loving father, who repeatedly lost his way in life but still has a lesson to impart.
 
This is a book about a dead father’s challenge to a son at a crossroads, but, more than that, it is about the personal costs paid when ambition and talent are not enough to ensure success. Most fundamentally, though, it is a book about learning what it takes to be happy in your ! own skin.
It’s 2008. Jim Axe! lrodâ€"o nce among the most watched correspondents on network news and the first television reporter to broadcast from Saddam International Airport in 2003â€"is covering the final stages of the race for the Democratic presidential nomination. He’s forty-five years old and thirty pounds overweight. He’s drinking too much, sleeping too little, and scarcely seeing his family. He’s just figured out that the industry that pulled him up the corporate ladder is imploding as he’s reaching for its final rungs. Then, out of the blue, Jim discovers his late father’s decades-old New York Marathon finish times. At forty-six, Bob Axelrod ran a 3:29:58. With everything else going on in his life, Jim sets himself a defining challenge: “Can I beat him?”
 
So begins a deeply felt, often hilarious, quixotic effort to run the 2009 New York Marathon. Along the way, Jim confronts his listing marriage, a career upset by the seismic changes going on throughout the televisi! on news industry, excruciatingly painful shin splints, and the worst-timed kidney stone possible. Looming over it all is the shadow of a loving father, who repeatedly lost his way in life but still has a lesson to impart.
 
This is a book about a dead father’s challenge to a son at a crossroads, but, more than that, it is about the personal costs paid when ambition and talent are not enough to ensure success. Most fundamentally, though, it is a book about learning what it takes to be happy in your own skin.


Reproduction poster of Happiness Runs printed on heavy card stock.
Students may just start singing this engaging melody and cheerful lyric. Legato and staccato touches are explored as both parts share melody and harmony.

Songs: Happiness Runs

Fargo (Special Edition)

  • 2003 - MGM - Fargo - Rare Special Edition
  • Frances McDormand, William H. Macy, Steve Buscemi
  • Rated R - Director: Joel Coen - DVD
  • Special Features - Widescreen / Standard Versions
  • Collectible
Nominated* for seven Oscars(r) and winner of two, this darkly amusing thriller combines a first-rate cast, "a dazzling mix of mirth and malice" (Rolling Stone) and a bizarre kidnapping plot that unravels the Midwest like never before. Starring Frances McDormand, William H. Macy and Steve Buscemi, Fargo is a brilliant tour de force from the creators of Raising Arizonaand O Brother, Where Art Thou? *1996: Best Picture, Director, Actress (McDormand, won), Supporting Actor (Macy), Original Screenplay (won), Cinematography, EditingLeave it to the wildly inventive Coen brothers (Joel directs, Ethan produces, they both write) to concoct a fiendishly clever kidnap caper that's simu! ltaneously a comedy of errors, a Midwestern satire, a taut suspense thriller, and a violent tale of criminal misfortune. It all begins when a hapless car salesman (played to perfection by William H. Macy) ineptly orchestrates the kidnapping of his own wife. The plan goes horribly awry in the hands of bumbling bad guys Steve Buscemi and Peter Stormare (one of them being described by a local girl as "kinda funny lookin'" and "not circumcised"), and the pregnant sheriff of Brainerd, Minnesota, (played exquisitely by Frances McDormand in an Oscar-winning role) is suddenly faced with a case of multiple murders. Her investigation is laced with offbeat observations about life in the rural hinterland of Minnesota and North Dakota, and Fargo embraces its local yokels with affectionate humor. At times shocking and hilarious, Fargo is utterly unique and distinctly American, bearing the unmistakable stamp of its inspired creators. --Jeff Shannon

Allsop 29871 Firefly Garden Solar Stake Coral Lily, Kraft Box

  • Solar powered
  • Stainless steel stake
  • Hand-blown glass top
  • Amber LED light
  • Built-in light sensor
Netherlands released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), Dutch ( Subtitles ), WIDESCREEN, SPECIAL FEATURES: Interactive Menu, Scene Access, Trailer(s), SYNOPSIS: Academy Award-winning short filmmaker Dennis Lee (Jesus Henry Christ) expands into feature-length territory with this semi-autobiographical tale about a family struggling to see their way through a devastating and unforeseen tragedy. Julia Roberts, Ryan Reynolds, Carrie-Anne Moss, and Emily Watson star. ...Fireflies in the GardenAudio in English(Original) or Portuguese (Dubbed). Optional subtitles in English or Portuguese.

Academy Award-winning short filmmaker Dennis Lee (Jesus Henry Christ) expands into feature-length territory with this semi-autobiographical tale about a family struggling to see their way through a devastating and unforeseen tragedy.What happens when the House of Yashica, the great Japanese camera manufacturer, is faced with a sagging economy, dwindling sales, increased competition from other national companies and the need to reduce its workforce in order to survive? This story juxtaposes Old Japan thrust up against the New Japan. It describes how company honor and employee loyalty painfully evolve into internal and external human conflict leading to a new but foreign way of life. Based upon true characters, this historical novel explores the world of Japanese business and industry as it gravitates toward the American model and, with it, the decline of the middle class.What happens when the House of Yashica, the great Japanese camera manufacturer, is faced with a sagging ec! onomy, dwindling sales, increased competition from other national companies and the need to reduce its workforce in order to survive? This story juxtaposes Old Japan thrust up against the New Japan. It describes how company honor and employee loyalty painfully evolve into internal and external human conflict leading to a new but foreign way of life. Based upon true characters, this historical novel explores the world of Japanese business and industry as it gravitates toward the American model and, with it, the decline of the middle class.Description The semi-autobiographical story centers on the complexities of love and commitment in a family torn apart when faced by an unexpected tragedy. SYNOPSIS: Academy Award-winning short filmmaker Dennis Lee (Jesus Henry Christ) expands into feature-length territory with this semi-autobiographical tale about a family struggling to see their way through a devastating and unforeseen tragedy. Julia Roberts, Ryan Reynolds, Carrie-Anne Moss, and Emily Watson starCHAOS THEORY - DVD MovieRyan Reynolds’ exceptional performance as an efficiency expert off his game is the best reason to see Chaos Theory, a drama-comedy full of surprises. Reynolds plays Frank, a compulsive list-maker and paragon of punctuality who gets behind schedule one day by a mere ten minutes and watches his world fall down around him. Arriving late for one of his own seminars, the rattled Frank becomes vulnerable to a serial seducer (Sarah Chalke) of married men, and drawn into a baby-delivery emergency. The ensuing confusion causes a rift between Frank and his suspicious wife (Emily Mortimer), which is nothing compared to what happens after Frank--t! rying to resolve his problems--discovers he’s not the father of his daughter, Jesse (Elisabeth Harnois). Daniel Taplitz’s screenplay feels a little random in its first act, though there is a lot to enjoy, particularly a preface that finds Frank around age 50, a wily observer of human nature advising his future son-in-law on how to survive tough times in marriage. (The film’s story proper is actually told in flashback.) Reynolds co-stars, including Stuart Townsend as Frank’s best friend, are all very good. But Reynolds has lately been perfecting such rising-toward-clarity roles as Frank (see also The Nines), and he is superb at conveying competing emotions under extreme stress. Equally ludicrous and sympathetic, Frank gives Chaos Theory an absurdist soul. --Tom KeoghThe Firefly solar garden stake is a beautiful example of solar energy collection combined with hand-blown glass art. This unique product serves many purposes, including a plant stake,! garden art and garden lighting. The Firefly is a three part s! tainless steel stake that will not rust and will blend nicely with its surroundings. When fully assemble, the stake is 5 feet tall. For low-profile use of the Firefly simply remove the 18-Inch lower portion of the stake. Each Firefly comes equipped with an artisan hand-blown glass top that screws into place atop the stake. This top is designed to be interchangeable with all the various Firefly tops within the line. Your outdoor garden decor can change with the seasons. Through the photovoltaic solar cell attached to the stake, the Firefly collects sunlight all day. The energy is stored within the solar unit until darkness falls. A built in light sensor on the solar collector will activate the Amber LED light at dusk, illuminating the Firefly and casting an ambient glow in your garden at night. With no wires or maintenance needed, this solar garden stake is truly a unique, elegant and hassle-free addition to any outdoor space. The stainless steel stake will never rust and the LED lig! ht has over 100,000 hours and will not need replacing. There are two AA rechargeable batteries found within the solar compartment and these will need replacing about every two years. The Firefly solar garden stakes are beautiful both day and night, just plant in your garden and let nature takes its course.

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