Conan O'Brien Poster - Can't Stop 2011 Movie Teaser Flyer 11x17 - CS

• Teaser Flyer to promote the Conan O'Brien Movie Can't stop
• Conan O'Brien Movie Can't Stop Promo Flyer
• Size 11 x 17 inches approx (28 x 43 cm)
• Window display/ Telephone Pole Flyer sized Poster

After a much publicized departure from hosting NBC's "Tonight Show," Conan O'Brien hit the road with a 32-city music-and-comedy show. "The Legally Prohibited From Being Funny on Television Tour" was O'Brien's answer to a contractual stipulation that banned his appearance on television, radio and the internet for six months following his last show. Filmmaker Rodman Flender's resulting documentary, CONAN O'BRIEN CAN T STOP, is an intimate portrait of an artist trained in improvisation, captured at the most improvisational time of his career.Even if Conan O'Brien were "Legally Prohibited from Being Funny on Television"--the official name of the 2010 tour featured in the documentary Conan O'Brien Can't Stop, he'd happily be a scofflaw. Longtime TV director Rodman Flender (Ugly Betty) captures both O'Brien's spontaneous humor in his standup comic tour around the United States, but also his rage. O'Brien briefly replaced Jay Leno as host of NBC's The Tonight Show, but ratings for the show plummeted. So NBC dropped O'Brien, and O'Brien got his revenge by selling out shows in 32 cities, featuring equal parts standup, monologue, and screed against NBC. "If there's ever been a time in my life when I could say 'the hell with it,' it would be now," O'Brien says early in the film, setting up his rage as well as finding a pretty good outlet for it. Those who wonder if there's a healthy--or even unhealthy--dose of anger behind most standup comics will see the answer in a largely unguarded O'Brien, captured with raw honesty by Flender, in Conan O'Brien Can't Stop. O'Brien is also joined at various points of the tour by Jim Carrey, Andy R! ichter, Steve Kroft of 60 Minutes (who gets an earful),! Eddie V edder, and others. And O'Brien does manage to be pretty funny, mostly in off-the cuff moments. But Conan O'Brien Can't Stop is notable mostly for O'Brien's willingness to be shown as the pot lid is starting to blow off the boiling pan. And that makes for incredibly gripping viewing. --A.T. HurleyAfter a much publicized departure from hosting NBC's "Tonight Show," Conan O'Brien hit the road with a 32-city music-and-comedy show. "The Legally Prohibited From Being Funny on Television Tour" was O'Brien's answer to a contractual stipulation that banned his appearance on television, radio and the internet for six months following his last show. Filmmaker Rodman Flender's resulting documentary, CONAN O'BRIEN CAN T STOP, is an intimate portrait of an artist trained in improvisation, captured at the most improvisational time of his career.Even if Conan O'Brien were "Legally Prohibited from Being Funny on Television"--the official name of the 2010 tour featured in the do! cumentary Conan O'Brien Can't Stop, he'd happily be a scofflaw. Longtime TV director Rodman Flender (Ugly Betty) captures both O'Brien's spontaneous humor in his standup comic tour around the United States, but also his rage. O'Brien briefly replaced Jay Leno as host of NBC's The Tonight Show, but ratings for the show plummeted. So NBC dropped O'Brien, and O'Brien got his revenge by selling out shows in 32 cities, featuring equal parts standup, monologue, and screed against NBC. "If there's ever been a time in my life when I could say 'the hell with it,' it would be now," O'Brien says early in the film, setting up his rage as well as finding a pretty good outlet for it. Those who wonder if there's a healthy--or even unhealthy--dose of anger behind most standup comics will see the answer in a largely unguarded O'Brien, captured with raw honesty by Flender, in Conan O'Brien Can't Stop. O'Brien is also joined at various points of the tour by Jim Car! rey, Andy Richter, Steve Kroft of 60 Minutes (who gets ! an earfu l), Eddie Vedder, and others. And O'Brien does manage to be pretty funny, mostly in off-the cuff moments. But Conan O'Brien Can't Stop is notable mostly for O'Brien's willingness to be shown as the pot lid is starting to blow off the boiling pan. And that makes for incredibly gripping viewing. --A.T. HurleyConan O'Brien Movie Can't stop flyer

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Zoo York Boys 2-7 Straight Core Hoody, Black, 7

• Hoody

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Footloose

• Footloose
• Dianne Wiest
• John Lithgow
• Kevin Bacon
• Lori Singer

FOOTLOOSE: Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise." FLASHDANCE: A hit movie that became a cultural sensation, Flashdance delivers an electrifying mix of music, drama and dance that dazzles the senses as it touches the heart. Jennifer Beals stars as Alex! Owens, a fiercely determined 18-year-old with one all-consuming dream: to study at the Pittsburgh Conservatory of Dance. Working during the day as a welder and at night as an exotic dancer. Alex bravely pursues her dream, undertaking an unforgettable journey that reveals the power of her convictions and teaches her the meaning of love. Directed by Adrian Lyne (Fatal Attraction, 9 ½ Weeks) and featuring the Oscar â€"winning song "Flashdanceâ€"What a Feeling," Flashdance is sparkling entertainment.Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Wil! liams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out f! or A Her o," and the Footloose love theme, "Almost Paradise."Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Director Herbert Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is f! orbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a good-natured hick who learns to boogie. --Tom Keogh Studio: Paramount Home Video Release Date: 09/27/2011 Run time: 107 minutes Rating: PgFootloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the ! minister's daughter (Lori Singer). A treasury of Top 10 songs-! Kenny Lo ggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Director Herbert Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is forbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the sam! e anymore) as a good-natured hick who learns to boogie. --Tom Keogh Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer).

A treasury of Top 10 songs: Kenny Loggins' "Footloose," Shalamar's "Dancing In The Sheets," Deniece Williams's "Let's Hear It For The Boy," Bonnie Tyler's "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing ha! s been banned. Ren revolts with best friend Willard (Chris Pen! n) and t he minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Director Herbert Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is forbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminisce! nt of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a good-natured hick who learns to boogie. --Tom Keogh Footloose [VHS] [VHS Tape] (1984) Kevin Bacon; Lori Singer; John LithgowFootloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Director Herbert Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Baco! n stars as a hip city kid who ends up in a Bible-belt town aft! er his p arents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is forbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a good-natured hick who learns to boogie. --Tom Keogh Director Herbert Ross ("The Turning Point") pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is forbidden, Bacon's! character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a good-natured hick who learns to boogie. "--Tom Keogh"Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In Th! e Sheets," Deniece Williams "Let's Hear It For The Boy," Bonni! e Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Director Herbert Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is forbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a good-natured hick who learns to boogie. --Tom Keogh Footloose jumps with spirit, dazzling! dance numbers and an electrifying musical score (five SIZZLING hit songs!) in the tradition of FLASHDANCE. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing--and therefore all youthful joy--has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 Songs--Kenny Loggins "Footloose," Shalamar "Dancing in the Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out For a Hero," and the FOOTLOOSE love theme, "Almost Paradise."

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Garfield Fat Cat Volume 1

• ISBN13: 9780345464552
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Witty, urbane, sassy, and downright delightful, here are the first three original books of pure Garfield collected in one packed volume. They tell the story of the feisty feline's birth, adoption, and growth into general wonderfulness---just in case you've forgotten --and remind us why we loved him like we do.

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Friday the 13th (Extended Killer Cut)

• A man in search of his missing sister stumbles across a deadly secret in the woods surrounding Crystal Lake as Texas Chainsaw Massacre redux duo Michael Bay and Marcus Nispel resurrect one of the silver screen's most feared slashers -- machete-wielding, hockey mask-wearing madman Jason Voorhees. The last time Clay heard from his sister, she was headed toward Crystal Lake. There, amidst the creaky

Camp Crystal Lake has been shuttered for over 20 years due to several vicious and unsolved murders. The camp's new owner and seven young counselors are readying the property for re-opening despite warnings of a "death curse" by local residents. The curse proves true on Friday the 13th as one by one each of the counselors is stalked by a violent killer.If you thought a bigger budget and an A-list producer (Michael Bay) would go to Jason's head, well, forget it. The indestructible villain of so many bo! ttom-of-the-barrel shockers isn't about to change his shtick, and the 2009 Friday the 13th proves it. This, the umpteenth sequel (nope, it's not a remake of the origin story) to the original 1980 movie, gives us a clever prologue that manages to fit an entire Jason Voorhees killing spree in a brisk and bloody 20 minutes. Jumping ahead six weeks, the film introduces a carload of clueless teens headed for a weekend at a lakeside cabin, plus a lone motorcyclist (Jared Padalecki) in search of his missing sister (Amanda Righetti). When the "lakeside" happens to refer to Crystal Lake, of course, there can be only one outcome. Cue the hockey mask, and pass the machete. Bay and director Marcus Nispel, who collaborated on the Texas Chainsaw Massacre remake, are surprisingly indifferent to changing up the formula this time, although there's more care taken in building up a few characters, and for once the comic relief (mostly supplied by Aaron Yoo and Arlen Escarpet! a) is pretty funny. You might even regret the slaughter of a c! ouple of these young folk, which is an unusual feeling in Friday-watching. The film's Jason is quite the athletic fellow, and he's assembled an elaborate underground corpse-hiding lair in the vicinity of Crystal Lake. How he's been able to live down there for 30 years (if the film's own timeline is to be believed) and had enough unwitting campers pass by to keep himself entertained is anybody's guess. But if they keep coming, he'll keep slashing. --Robert Horton

Also on the disc
The extended Killer Cut is 106 minutes compared to 97 for the theatrical cut, and it's hard to imagine choosing to watch the theatrical cut if you have a choice. In addition to some more of Amanda Righetti and of Jason, the extra nine minutes is mostly more gore in the gory scenes and more sex in the sexy scenes. If you're squeamish you might not want those things, but if you're that squeamish you probably don't want to watch Friday the 13th in the first place, right? Th! e longer cut will give you more of the stuff that you probably watch this movie for. There's also an 11-minute featurette on the new movie and three deleted scenes (a different version of Jason getting his mask, the police response to the phone call, and a revised climax). --David Horiuchi

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The King of Kong: A Fistful of Quarters

• In this hilarious, critically acclaimed arcade showdown, a humble novice goes head-to-head against the reigning Donkey Kong champ in a confrontation that rocks the gaming world to its processors! For over 20 years, Billy Mitchell has owned the throne of the Donkey Kong world. No one could beat his top score until now. Newcomer Steve Wiebe claims to have beaten the unbeatable, but Mitchell isn't re

AMERICAN MOVIE - DVD MovieStruggling filmmaker Mark Borchardt is the subject of American Movie, and he may also be the most determined man you'll ever meet. The straggly haired, fast-talking, Menomonee Falls, Wisconsin, native lists his greatest influences as Dawn of the Dead, Night of the Living Dead, and The Texas Chainsaw Massacre. He began making horror movies as a gangly adolescent, and is now set on finishing Coven (which he pronounces like "woven"), the "35-! minute direct market thriller" he has worked on for two years. In the process, he steadfastly battles immense debt, the threat of losing his kids, and birds chirping gleefully through scenes set in the dead of winter. His mother would rather do her shopping than be an extra, his brother contends he's best suited for factory work, and his father just wants him to "watch the language."

Standing by him through it all is Mark's childhood buddy, Mike Schank, who is the strongest weapon against drug use a task force could ever hope for, and Uncle Bill, begrudging financier of Coven, who appears to be wasting away before our very eyes. In less perceptive hands these two could easily become caricatures--the burnt-out stoner and the crotchety old coot--but through director Chris Smith's lens we see why Mark loves them, why they love Mark, and why each of these stories is uniquely compelling.

Winner of the Grand Jury Prize at the 1999 Sundance Film Festival, the film h! as been compared to Spinal Tap and Waiting for Guffm! an-- two unquestionably hilarious mock-documentaries--and, indeed, American Movie has plenty of laugh-out-loud moments. But in the spoofs, we feel encouraged to point and giggle at the poor slobs trying to get a piece of the action. Smith, however, offers us a funny and overwhelmingly affectionate portrait; you may sit down expecting to laugh at Mark's pie-in-the-sky hopes, but you soon find yourself bursting with admiration. "The American dream stays with me each and every day," Mark says, and by the end, we want nothing more than for it to come true. (The DVD version includes the complete short film "Coven.") --Brangien Davis This limited edition, special collectors' DVD set celebrates 25 years of the Sundance Institute. It contains ten ground-breaking films that embody the sprit of independence, creative risk-taking, and diversity that define the Sundance Film Festival. Bonus materials include a booklet and an 11th disc with behind-the-scenes footage from the Sun! dance Institute Labs and never-before-seen interviews with filmmakers and founder Robert Redford.In this hilarious, critically acclaimed arcade showdown, a humble novice goes head-to-head against the reigning Donkey Kong champ in a confrontation that rocks the gaming world to its processors! For over 20 years, Billy Mitchell has owned the throne of the Donkey Kong world. No one could beat his top score until now. Newcomer Steve Wiebe claims to have beaten the unbeatable, but Mitchell isn't ready to renquish his crown without a fight. Go behind the barrels as the two battle it out in a vicious war to earn the title of the true King of Kong. The stuff of gladiatorial battle is here: good versus evil, right versus wrong, nerd versus... super-nerd? At any rate, it's a more entertaining showdown than most fictional movies can muster. The King of Kong is the saga of Steve Wiebe, a Redmond, Washington dweeb who sets a new record in the video game Donkey Kong, only t! o see his accomplishment challenged by the grand poobahs of th! e gaming establishment. And if you don't know how pernickety the grand poobahs of the gaming establishment can be, well, one of the pleasures of this movie is finding out about this collection of oddballs. It seems Wiebe has toppled a score that has stood since 1982, when eminent "Gamer of the Century" Billy Mitchell set it, and Mitchell isn't too happy about being overthrown. A black-mulleted showboat, Mitchell provides the perfect counterpoint to Wiebe's mild-mannered family man, and the smaller fish around him are no less colorful. This is one of those movies you watch in delighted disbelief, marveling that such people exist--and that they gladly allowed themselves to be filmed. Director Seth Gordon does an important thing in presenting this world of eccentrics: he doesn't mock them, or provide editorial nudging; he simply lets them be. The result is an ingratiating classic. --Robert Horton

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