Analyze That (Widescreen)

• They locked up mob boss Paul Vitti in Sing Sing and that's where he sang sang - bellowing West Side Story tunes and convincing officials he's more suited for a nut house than the Big House. Better yet, the Feds say, let's release Vitti into the custody of his therapist Ben Sobel.ROBERT DE NIRO (Vitti) and BILLY CRYSTAL (Sobel) reprise their Analyze This roles and reteam with filmmaker HAROLD RAMIS

They locked up mob boss Paul Vitti in Sing Sing and that's where he sang sang - bellowing West Side Story tunes and convincing officials he's more suited for a nut house than the Big House. Better yet, the Feds say, let's release Vitti into the custody of his therapist Ben Sobel. ROBERT DE NIRO (Vitti) and BILLY CRYSTAL (Sobel) reprise their Analyze This roles and reteam with filmmaker HAROLD RAMIS (Caddyshack) and co-star LISA KUDROW.

DVD Features:
Audio Commentary
Document! ary
Other
Theatrical Trailer

Analyze That has more bada bing than its lukewarm reception would lead you to expect. Analyze This (1999) had the advantage of a then-fresh idea--Robert De Niro as a neurotic mob boss seeking therapy with reluctant shrink Billy Crystal--but that idea's stale (and has been handled more authentically in The Sopranos), so this sequel relies on established chemistry and zesty dialogue that matches the original. There's nothing wrong with a retread when it's this funny, and De Niro's latter-day penchant for comedy suits him well when, as kingpin Paul Vitti, he lures Dr. Sobel (Crystal) into a prison breakout scheme involving faked catatonia and West Side Story show tunes. The contrived plot involves Vitti's criminal comeback. Unfortunately, there's little room for Lisa Kudrow as Sobel's sarcastic wife, but De Niro's Raging Bull costar Cathy Moriarty-Gentile is welcomed as a riv! al mob queen. You want a comedy masterpiece? Fuhgeddaboudit. ! You want 95 minutes of easy fun? It's right here... and don't miss those obligatory outtakes. --Jeff Shannon

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Bobby (Widescreen Edtion)

• (Drama) A re-telling of the assassination of Senator Robert F. Kennedy at the Ambassador Hotel in 1968. The film follows 22 individuals who are all at the hotel for different purposes but share the common thread of anticipating Kennedy's arrival at the primary election night party, which would change their lives forever. This historic night is set against the backdrop of the cultural issues gr

(Drama) A re-telling of the assassination of Senator Robert F. Kennedy at the Ambassador Hotel in 1968. The film follows 22 individuals who are all at the hotel for different purposes but share the common thread of anticipating Kennedy's arrival at the primary election night party, which would change their lives forever. This historic night is set against the backdrop of the cultural issues gripping the country at the time, including racism, sexual inequality and class differences.In the final quarter o! r so of Bobby, writer-director-actor Emilio Estevez finally starts tightening his grip on the viewer as we head inexorably toward the film's climax: the 1968 assassination of Robert F. Kennedy in a Los Angeles hotel kitchen. In the course of these scenes--among them Kennedy's acceptance speech after winning the California Democratic presidential primary (the senator is seen only in file footage), his death at the hands of gunman Sirhan Sirhan, and the chaos and despair that ensued--Estevez steadily ratchets up the sense of tension and dread. Knowing exactly what's coming, while the characters onscreen don't, is excruciating, as is our grief at hearing RFK's own words, so eloquent, so hopeful and inspiring, as we watch the horrible events unfold and wonder what might have been (sure it's manipulative--but it works). But the rest of Bobby isn't nearly as compelling. Nor is it really about Kennedy, despite its obvious adulation of the man whom many thought would ! defeat Richard Nixon in the '68 general election. In the tradi! tion of, say, an Irwin Allen disaster flick, we're invited into the lives of nearly two dozen folks, most of them at least partly fictional, who were at the Ambassador Hotel that June day, including guests, staff (kitchen workers, switchboard operators, management, etc.), campaign workers, reporters, and more. There are lots of movie stars in the cast, and some of them (Sharon Stone, Helen Hunt, William H. Macy) are very good. But caring about the quotidian minutiae of these people's existences is a chore, and Estevez crams so many issues into his story (the Vietnam war, drugs, alcoholism, voting irregularities, adultery, racism, immigration, communism… even L.A. Dodgers pitcher Don Drysdale's streak of consecutive shutouts) and tries so obviously to establish parallels between then and now that too much of the movie feels gratuitous and forced. A warts-and-all film about Robert Kennedy's extraordinary life and career would be welcome. Unfortunately, Bobby isn't it. --Sa! m Graham

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After.Life

• AFTER.LIFE (DVD MOVIE)

A young woman caught between life and death.. And a funeral director who appears to have the gift of transitioning the dead but might just be intent on burying her alive. Studio: Tcfhe/anchor Bay/starz Release Date: 08/03/2010 Starring: Christina Ricci Liam Neeson Run time: 104 minutes Rating: R Director: Agnieszka Wojtowicz-voslooQuite a few folks in the movies have seen dead people, especially since The Sixth Sense, but After.Life gives this by-now-familiar conceit an intriguing spin. As director-cowriter Agnieszka Wojtowicz-Vosloo's 2009 film would have it, the deceased aren't exactly dead. At least not yet; in the days between whatever killed them and the moment they're put in a box and lowered six feet under, they're caught in some kind of purgatory, no longer alive but still able to move and communicate. Not to everyone, of course; only Eliot D! eacon (Liam Neeson) has the ability, be it a gift or a curse, to converse with these infernal travelers as he readies them for their final rest in the basement of his funeral home. That's where he meets Anna Taylor (Christina Ricci), who died in a car crash following a nasty argument with her boyfriend, Paul (Justin Long). Anna, not surprisingly, is in denial. How can she be dead, when she can still walk, talk, and experience emotions? Well, it's complicated, but Eliot's there to help her sort it all out--that is, unless he's up to something considerably more sinister, a question that remains in doubt even at the very end. After.Life has a cool concept, a good look, an ominous vibe (driven by former Tangerine Dream member Paul Haslinger's relentlessly spacy, downbeat musical score), and some fine performances. But movies like this depend on the rules and boundaries the filmmakers establish. In The Sixth Sense, those rules ("dead people don't know they're dead,! " etc.) are simple and consistent. Here they're a bit more con! fusing. How can the deceased wield a knife, open a locked door, or even make a phone call? If Anna is dead, why can she still see her breath on a windowpane? The willingness to accept such things may well affect one's appreciation of this very absorbing film. --Sam Graham

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Adventureland

• From thedirector of SUPERBAD comes ADVENTURELAND, a smart, witty comedy we canall relate to. When James Brennan (Jesse Eisenberg) has to cancel hisdream summer vacation and make some money for grad school, the only jobhe can get is at Adventureland, a tacky amusement park where the gamesare rigged and the rides make you hurl. But it's where he meets Em(Kristen Stewart, TWILIGHT), and his rollercoa

When James Brennan (Jesse Eisenberg) has to cancel his dream summer vacation and make some money for grad school, the only job he can get is at Adventureland, a tacky amusement park where the games are rigged and the rides make you hurl. But it's where he meets Em (Kristen Stewart) and his roller coaster ride to nowhere turns into the best summer ever. Filled with a carnival of colorful characters and set to a killer soundtrack, Adventureland is the kind of adventure we could all use more of!A sweet! and slap-happy mix of indie coming-of-age drama and Judd Apatow’s scatological but heartfelt manchild comedies, Greg Mottola’s Adventureland is a winning look at the pleasures and frustrations of dead-end jobs and teenage kicks as viewed through a filter of mid-‘80s pop culture. The underutilized and always watchable Jesse Eisenberg (The Squid and the Whale) is a sheltered, introspective New York college grad who discovers that his parents’ financial woes will not only quash his dream of a summer in Europe (to enjoy its more “sexually permissive” nations) but require a move to Pittsburgh, where he lands a job at a dilapidated amusement park. There, he’s thrown in with a motley crew of eccentrics, small-town types and a few genuine free spirits, most notably co-worker Em (Kristen Stewart), whose complicated past proves irresistible to his repressed psyche. Mottola, who directed Superbad and episodes of the well-loved Freaks and Geeks, and who once worked in a similar park as a teen, doesn’t ! shy from the crude laughs that make Apatow’s features so popular, but he tempers it with a wistful tone and layered characters that hew closer to his earliest work, The Daytrippers. Though ill-matched at first, Eisenberg and Stewart make a likable on-screen couple, and they’re well-supported by a terrific cast that includes such die-hard scene-stealers as Bill Hader and Kristen Wiig as the park’s offbeat owners, Martin Starr as a Russian lit aficionado, and Ryan Reynolds as a former town tamer, now reduced to working as the park’s handyman. A soundtrack performed by underground faves Yo La Tengo and filled with a smart mix of hip cuts (Hüsker Dü, the New York Dolls, the Replacements) and period faves (Falco’s “Rock Me Amadeus”) underscores the film’s blend of tentative emotions and broad laughs. -- Paul GaitaADVENTURELAND - DVD MovieA sweet and slap-happy mix of indie coming-of-age drama and Judd Apatow’s scatological but heartfelt manchild comedie! s, Greg Mottola’s Adventureland is a winning look at the pleasures and frustrations of dead-end jobs and teenage kicks as viewed through a filter of mid-‘80s pop culture. The underutilized and always watchable Jesse Eisenberg (The Squid and the Whale) is a sheltered, introspective New York college grad who discovers that his parents’ financial woes will not only quash his dream of a summer in Europe (to enjoy its more “sexually permissive” nations) but require a move to Pittsburgh, where he lands a job at a dilapidated amusement park. There, he’s thrown in with a motley crew of eccentrics, small-town types and a few genuine free spirits, most notably co-worker Em (Kristen Stewart), whose complicated past proves irresistible to his repressed psyche. Mottola, who directed Superbad and episodes of the well-loved Freaks and Geeks, and who once worked in a similar park as a teen, doesn’t shy from the crude laughs that make Apatow! ’s features so popular, but he tempers it with a wistful ton! e and la yered characters that hew closer to his earliest work, The Daytrippers. Though ill-matched at first, Eisenberg and Stewart make a likable on-screen couple, and they’re well-supported by a terrific cast that includes such die-hard scene-stealers as Bill Hader and Kristen Wiig as the park’s offbeat owners, Martin Starr as a Russian lit aficionado, and Ryan Reynolds as a former town tamer, now reduced to working as the park’s handyman. A soundtrack performed by underground faves Yo La Tengo and filled with a smart mix of hip cuts (Hüsker Dü, the New York Dolls, the Replacements) and period faves (Falco’s “Rock Me Amadeus”) underscores the film’s blend of tentative emotions and broad laughs. -- Paul Gaita

Beyond Adventureland on DVD

Adventureland on Blu-ray

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Click and Print Your Own Adventureland Door Hanger

! Stills from Adventureland (Click for larger image)

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Elektra (Widescreen Edition)

• TESTED

ELEKTRA (DIRECTOR'S CUT) - Blu-Ray MovieWhile 2003's Daredevil was a conventional superhero movie, the 2005 spinoff, Elektra, is more of a wuxia-styled martial arts/fantasy flick. Elektra (Jennifer Garner) has returned to her life as a hired assassin, but she balks at an assignment to kill a single father (Goran Visnjic, ER) and his teenage daughter (Kirsten Prout). That makes her the target of the Hand, an organization of murderous ninjas, scheming corporate types, and a band of stylish supervillains seeking to eliminate Elektra and tip the balance of power in the ongoing battle of good vs. evil.

As the star of Alias, Garner has proven that she can kick butt with the best of them, and some of the visual effects are impressive, but the action sequences tend to be anticlimactic, and there's not much to the story. Fans will notice numerous refe! rences to Frank Miller's comic books, but there's very little resemblance to Miller's cold-blooded killer (Elektra with an agent? Elektra referring to herself as a "soccer mom"?).

Is Elektra better than Daredevil? Not really, even with the distinct advantage of having all Garner and no Ben Affleck. That could be the spinoff's greatest disappointment: after Spider-Man 2 raised the bar for comic-book movies, Elektra lowered it back to Daredevil's level. Directed by Rob Bowman (the X-Files movie), and featuring Terence Stamp as the mysterious mentor Stick, Will Yun Lee (Die Another Day) as the chief villain, and NFL-player-turned-mixed-martial-arts-champion Bob Sapp as the immovable Stone. --David HoriuchiELEKTRA UNRATED DIRECTOR'S CUT - DVD MovieWhile 2003's Daredevil was a conventional superhero movie, the 2005 spinoff, Elektra, is more of a wuxia-styled martial arts/fantasy flick. Elek! tra (Jennifer Garner) has returned to her life as a hired assa! ssin, bu t she balks at an assignment to kill a single father (Goran Visnjic, ER) and his teenage daughter (Kirsten Prout). That makes her the target of the Hand, an organization of murderous ninjas, scheming corporate types, and a band of stylish supervillains seeking to eliminate Elektra and tip the balance of power in the ongoing battle of good vs. evil.

As the star of Alias, Garner has proven that she can kick butt with the best of them, and some of the visual effects are impressive, but the action sequences tend to be anticlimactic, and there's not much to the story. Fans will notice numerous references to Frank Miller's comic books, but there's very little resemblance to Miller's cold-blooded killer (Elektra with an agent? Elektra referring to herself as a "soccer mom"?).

Is Elektra better than Daredevil? Not really, even with the distinct advantage of having all Garner and no Ben Affleck. That could be the spinoff's greatest disa! ppointment: after Spider-Man 2 raised the bar for comic-book movies, Elektra lowered it back to Daredevil's level. Directed by Rob Bowman (the X-Files movie), and featuring Terence Stamp as the mysterious mentor Stick, Will Yun Lee (Die Another Day) as the chief villain, and NFL-player-turned-mixed-martial-arts-champion Bob Sapp as the immovable Stone. --David HoriuchiFROM THE FORCES THAT BROUGHT YOU X-MEN AND DAREDEVIL?Superstar Jennifer Garner proves that looks can kill as the sexiest action hero ever to burst from the pages of Marvel Comics. Restored to life after sustaining mortal wounds in Daredevil, an icy, solitary Elektra (Garner) now lives only for death as the world?s most lethal assassin. Using her bone-crunching martial arts skills and Kimagure?the ability to see into the future?Elektra is on a collision course with darkness? until her latest assignment forces her to make a choice that will lead either to her redemptio! n or destruction in the ultimate battle between good and evil!! While 20 03's Daredevil was a conventional superhero movie, the 2005 spinoff, Elektra, is more of a wuxia-styled martial arts/fantasy flick. Elektra (Jennifer Garner) has returned to her life as a hired assassin, but she balks at an assignment to kill a single father (Goran Visnjic, ER) and his teenage daughter (Kirsten Prout). That makes her the target of the Hand, an organization of murderous ninjas, scheming corporate types, and a band of stylish supervillains seeking to eliminate Elektra and tip the balance of power in the ongoing battle of good vs. evil.

As the star of Alias, Garner has proven that she can kick butt with the best of them, and some of the visual effects are impressive, but the action sequences tend to be anticlimactic, and there's not much to the story. Fans will notice numerous references to Frank Miller's comic books, but there's very little resemblance to Miller's cold-blooded killer (Elektra with an agent? Elektra r! eferring to herself as a "soccer mom"?).

Is Elektra better than Daredevil? Not really, even with the distinct advantage of having all Garner and no Ben Affleck. That could be the spinoff's greatest disappointment: after Spider-Man 2 raised the bar for comic-book movies, Elektra lowered it back to Daredevil's level. Directed by Rob Bowman (the X-Files movie), and featuring Terence Stamp as the mysterious mentor Stick, Will Yun Lee (Die Another Day) as the chief villain, and NFL-player-turned-mixed-martial-arts-champion Bob Sapp as the immovable Stone.

DVD features
Ben Affleck's much-rumored cameo is one of the deleted scenes on the Elektra DVD. It's a one-minute throwaway, and while he's supposedly appearing as Matt Murdock (who romanced Elektra in Daredevil), the barrage of celebrity gossip makes it impossible to see him as anything other than Jennifer Garner's real-life boyfriend. T! here's also a making-of featurette, which is mostly promotiona! l hype o ther than a few interesting effects shots; four editing featurettes; and Jennifer Garner's videotaped message to ComicCon. --David Horiuchi

More on Elektra

Elektra: The Album (Soundtrack CD)	Elektra: The Movie (Comic Adaptation)	Frank Miller Comic Books
Daredevil (Director's Cut) (DVD)	Jennifer Garner stars in Alias (DVD)	More Superhero DVDs

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Rodrick Rules (Diary of a Wimpy Kid #2)

• ISBN13: 9780810994737
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Greg Heffley, the kid who made “wimpy” cool, is back in this sidesplitting sequel based on the second installment of the best-selling book series! Having rid himself of the Cheese Touch , Greg enters the next grade with his confidence and friendships intact, and an eye on the new girl in town, Holly Hills . But at home, Greg is still at war with his older brother, Rodrick, so their parents have handed down the toughest “punishment” imaginable â€" forcing the boys to spend quality time with each other. Brothers aren't supposed to get along, so it should come as no surprise that Greg and his older sibling Rodrick fight continuously. However, their mother has a different idea about what the rela! tionship between two brothers should look like, and she writes a column about it for the local newspaper, so she should know. Never one to let nature take its course, Mom tries a variety of strategies to get the boys to bond--everything from the incentive-driven "mom bucks" to punishing them by leaving them home together for the weekend while the rest of the family heads to the water park. The wild party and ensuing chaos that one would expect when two boys are left home alone happens right on schedule, but so does a surprising development in the boys' relationship with one another. Greg pours his every thought about the difficulties of surviving middle school and living with brothers into his journal in this film, which is based on Jeff Kinney's book Diary of a Wimpy Kid: Rodrick Rules. While it's definitely a different experience to see the cartoon stick figures from the book morph into human forms in the live-action film, director David Bowers and actors Zachary G! ordon, Devon Bostick, Robert Capron, and Rachael Harris do a g! ood job of preserving the feel of the book--specifically, how each of the characters is driven by emotion and how they are often overwhelmed by their sense of mental conflict and anguish. Kids frankly state that the Diary of a Wimpy Kid films aren't as good as the bestselling books, but that doesn't mean they don't enjoy the movies or that they won't be clamoring to see them. (Ages 7 and older) --Tami HoriuchiGreg Heffley, the kid who made “wimpy” cool, is back in this sidesplitting sequel based on the second installment of the best-selling book series! Having rid himself of the Cheese Touch , Greg enters the next grade with his confidence and friendships intact, and an eye on the new girl in town, Holly Hills . But at home, Greg is still at war with his older brother, Rodrick, so their parents have handed down the toughest “punishment” imaginable â€" forcing the boys to spend quality time with each other. Brothers aren't supposed to get along, so it should com! e as no surprise that Greg and his older sibling Rodrick fight continuously. However, their mother has a different idea about what the relationship between two brothers should look like, and she writes a column about it for the local newspaper, so she should know. Never one to let nature take its course, Mom tries a variety of strategies to get the boys to bond--everything from the incentive-driven "mom bucks" to punishing them by leaving them home together for the weekend while the rest of the family heads to the water park. The wild party and ensuing chaos that one would expect when two boys are left home alone happens right on schedule, but so does a surprising development in the boys' relationship with one another. Greg pours his every thought about the difficulties of surviving middle school and living with brothers into his journal in this film, which is based on Jeff Kinney's book Diary of a Wimpy Kid: Rodrick Rules. While it's definitely a different experienc! e to see the cartoon stick figures from the book morph into hu! man form s in the live-action film, director David Bowers and actors Zachary Gordon, Devon Bostick, Robert Capron, and Rachael Harris do a good job of preserving the feel of the book--specifically, how each of the characters is driven by emotion and how they are often overwhelmed by their sense of mental conflict and anguish. Kids frankly state that the Diary of a Wimpy Kid films aren't as good as the bestselling books, but that doesn't mean they don't enjoy the movies or that they won't be clamoring to see them. (Ages 7 and older) --Tami Horiuchi

Whatever you do, don’t ask Greg Heffley how he spent his summer vacation, because he definitely doesn’t want to talk about it.

As Greg enters the new school year, he’s eager to put the past three months behind him . . . and one event in particular. Unfortunately for Greg, his older brother, Rodrick, knows all about the incident Greg wants to keep under wraps. But secrets have a way of getting out . . . esp! ecially when a diary is involved.

Diary of a Wimpy Kid: Rodrick Rules chronicles Greg’s attempts to navigate the hazards of middle school, impress the girls, steer clear of the school talent show, and most important, keep his secret safe.

 

The highly anticipated sequel to the #1 New York Times bestselling book!

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Fighter

• FIGHTER (DVD MOVIE)

Academy Award® Nominees Mark Wahlberg (The Departed), Christian Bale (The Dark Knight) and Amy Adams (Doubt) star in this “remarkable†” film. Based on a true story, two brothers, against all the odds, come together to train for a historic title bout that has the power to reunite their fractured family and give their hard-luck town what it's been waiting for: pride. Micky Ward (Wahlberg) is a struggling boxer long overshadowed by his older brother and trainer, Dicky (Bale), a local legend battling his own demons. Their explosive relationship threatens to take them both down - but the bond of blood may be their only chance for redemption. Joe Morgenstern, THE WALL STREET JOURNAL It would be a mistake to confuse The Fighter with the story of Mark Wahlberg, though the similarities are striking. Completely convincing as a boxer, Wahlberg plays welterweight Micky W! ard, who grew up in working-class Massachusetts. Like the actor-producer, he had eight siblings, one more famous than the rest. Ward's half-brother, Dicky Eklund (a gaunt, crazy-eyed Christian Bale), turned to boxing first, just as Mark's brother, Donnie, preceded him as a performer (first by singing, then by acting). The similarities end there: Dicky, once known as "The Pride of Lowell," traded his promising pugilistic career for a crack pipe (Sugar Ray Leonard cameos as his best-known opponent). As David O. Russell's film begins, the smothering Alice (Frozen River's Melissa Leo) manages Micky's career, while the unpredictable Dicky attempts to train him. Despite his talent in the ring, though, Micky can't catch a break until he meets Charlene (Amy Adams), a spitfire of a bartender who encourages him to stand up for himself. When Dicky ends up in prison, and Micky takes on a more experienced manager, his fortunes start to improve, but it isn't in his nature to aband! on the people who raised him, so he attempts to unite the vari! ous fact ions in his life before his shot at the world championship slips away. Though Russell paints Micky's mother, brother, and sisters with a broad brush, Wahlberg anchors the scenario with his patient, level-headed performance. Rescue Me's Jack McGee also deserves notice as his diplomatic dad, George. --Kathleen C. FennessyAcademy Award® Nominees Mark Wahlberg (The Departed), Christian Bale (The Dark Knight) and Amy Adams (Doubt) star in this “remarkable” film*. Based on a true story, two brothers, against all the odds, come together to train for a historic title bout that has the power to reunite their fractured family and give their hard-luck town what it's been waiting for: pride. Micky Ward (Wahlberg) is a struggling boxer long overshadowed by his older brother and trainer, Dicky (Bale), a local legend battling his own demons. Their explosive relationship threatens to take them both down - but the bond of blood may be their only chance for redemption. *Joe! Morgenstern, THE WALL STREET JOURNAL It would be a mistake to confuse The Fighter with the story of Mark Wahlberg, though the similarities are striking. Completely convincing as a boxer, Wahlberg plays welterweight Micky Ward, who grew up in working-class Massachusetts. Like the actor-producer, he had eight siblings, one more famous than the rest. Ward's half-brother, Dicky Eklund (a gaunt, crazy-eyed Christian Bale), turned to boxing first, just as Mark's brother, Donnie, preceded him as a performer (first by singing, then by acting). The similarities end there: Dicky, once known as "The Pride of Lowell," traded his promising pugilistic career for a crack pipe (Sugar Ray Leonard cameos as his best-known opponent). As David O. Russell's film begins, the smothering Alice (Frozen River's Melissa Leo) manages Micky's career, while the unpredictable Dicky attempts to train him. Despite his talent in the ring, though, Micky can't catch a break until he meets Charl! ene (Amy Adams), a spitfire of a bartender who encourages him ! to stand up for himself. When Dicky ends up in prison, and Micky takes on a more experienced manager, his fortunes start to improve, but it isn't in his nature to abandon the people who raised him, so he attempts to unite the various factions in his life before his shot at the world championship slips away. Though Russell paints Micky's mother, brother, and sisters with a broad brush, Wahlberg anchors the scenario with his patient, level-headed performance. Rescue Me's Jack McGee also deserves notice as his diplomatic dad, George. --Kathleen C. FennessyThe female karate kid.

Newcomer Semra Turan delivers a star-making performance as Aicha, a Copenhagen high school senior who dreams of becoming a champion mixed martial arts fighter. But when her conservative Turkish parents demand she go to medical school, Aicha instead begins secretly training at the local academy of Sifu (Xian Gao of CROUCHING TIGER, HIDDEN DRAGON fame). In a brutal sport where men make the rul! es, can a strong-willed woman battle her way to respect? And in a world where cultures clash as hard as any combat, will she survive long enough to decide what s worth fighting for? Cyron Melville and Sadi Tekelioglu co-star in this explosive drama featuring stunning choreography by Xian Gao that goes far beyond the usual martial arts movie.

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Ghost in the Shell: Anime Legends 2nd Gig

• Condition: New
• Format: DVD
• Animated; Color; DVD; NTSC

GHOST IN THE SHELL - DVD MovieThe skillful blending of drawn animation and computer-generated imagery excited anime fans when this science fiction mystery was released in 1995: many enthusiasts believe Ghost suggests what the future of anime will be, at least in the short term. The film is set in the not-too-distant future, when an unnamed government uses lifelike cyborgs or "enhanced" humans for undercover work. One of the key cyborgs is The Major, Motoko Kusanagi, who resembles a cross between The Terminator and a Playboy centerfold. She finds herself caught up in a tangled web of espionage and counterespionage as she searches for the mysterious superhacker known as "The Puppet Master."

Mamoru Oshii directs with a staccato rhythm, alternating sequences of rapid-fire action (car chases, gun battles, explosions) ! with static dialogue scenes that allow the characters to sort out the vaguely mystical and rather convoluted plot. Kusanagi's final quote from I Corinthians suggests that electronic evolution may compliment and eventually supplant organic evolution. The minor nudity, profanity, and considerable violence would earn Ghost in the Shell at least a PG rating. --Charles SolomonThe skillful blending of drawn animation and computer-generated imagery excited anime fans when this science fiction mystery was released in 1995: many enthusiasts believe Ghost suggests what the future of anime will be, at least in the short term. The film is set in the not-too-distant future, when an unnamed government uses lifelike cyborgs or "enhanced" humans for undercover work. One of the key cyborgs is The Major, Motoko Kusanagi, who resembles a cross between The Terminator and a Playboy centerfold. She finds herself caught up in a tangled web of espionage and counterespionage as! she searches for the mysterious superhacker known as "The Pup! pet Mast er."

Mamoru Oshii directs with a staccato rhythm, alternating sequences of rapid-fire action (car chases, gun battles, explosions) with static dialogue scenes that allow the characters to sort out the vaguely mystical and rather convoluted plot. Kusanagi's final quote from I Corinthians suggests that electronic evolution may compliment and eventually supplant organic evolution. The minor nudity, profanity, and considerable violence would earn Ghost in the Shell at least a PG rating. --Charles SolomonThe Smash First Season Anime Extravaganza in one complete set.

Major Motoko Kusanagi is a beautiful but deadly cyborg that is squad leader of Section 9; the Japanese government's clandestine unit assigned to battle terrorism and cyber warfare. Surrounded by an expertly trained team, Motoko faces her ultimate challenge- the Laughing Man- a terrorist who orchestrated a kidnapping and extortion plot many years ago and has suddenly reappeared. In order to! discover the identity of this enigmatic criminal, Motoko and Section 9 are drawn into a deadly labyrinth and they'll have to use all their expertise to survive. This acclaimed anime series from Production I.G (Kill Bill) and features the amazing music if Yoko Kanno (Cowboy Behop) with stories by Kenji Kamiyama (Blood, Jin-Roh) and Dai Soto (Eureka SeveN).Studio: Starz/sphe Release Date: 09/15/2009 Run time: 660 minutes

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